[Air-l] Fwd: NOEMA presented @ the EVL @ Chicago

Thu Apr 11 15:31:34 PDT 2002

>Delivered-To: sjones at tigger.cc.uic.edu
>X-Sender: noemalab-staff at virtual.dsnet.it
>Date: Thu, 11 Apr 2002 23:23:32 +0200
>To: Recipient List Suppressed:;
>From: Staff <staff at noemalab.com>
>Subject: NOEMA presented @ the EVL @ Chicago
>
>N O E M A   N e w s - http://www.noemalab.com
>
>C U L T U R A   &   T E C N O L O G I E
>C U L T U R E   &   T E C H N O L O G I E S
>
>
>web: http://www.noemalab.com
>e-mail: staff at noemalab.com
>
>
>N O E M A   N e w s   n. 103
>
>
>
><< Change is not merely necessary to life, it *is* life >>
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
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>
>--->> Dear all,
>
>on April 24 NOEMA will be presented by Pier Luigi Capucci at the
>Advanced Electronic Visualization Laboratory - School of Art and
>Design University of Illinois at Chicago.
>Here [http://www.noemalab.com/sections/arte_detail.asp?IDArts=449]
>you'll find the program of the events.
>
>With NOEMA issues will be discussed also topics about new arts and
>net arts in Europe.
>
>We think it's an important aknowledgment in NOEMA evolution, which is
>just two, and this mail is also to thank who, directly or indirectly,
>helped us in our path of growing.
>
>Thank you for being with us!
>
>NOEMA Staff
>
>
>--->> Salve a tutti,
>
>il 24 Aprile NOEMA sara' presentato da Pier Luigi Capucci
>all'Advanced Electronic Visualization Laboratory - Scuola di Art e
>Design dell'University dell'Illinois a Chicago.
>Qui [http://www.noemalab.com/sections/arte_detail.asp?IDArts=449]
>trovate il programma degli eventi.
>
>Oltre a NOEMA nel corso dell'incontro si discutera' anche delle nuove
>forme d'arte tecnologica e delle arti della Rete in Europa.
>
>Crediamo sia un riconoscimento importante nell'evoluzione di NOEMA,
>che ha appena compiuto due anni, e questa mail e' anche per
>ringraziare chi, direttamente o indirettamente, ci ha aiutato in
>questo cammino di crescita.
>
>Grazie di essere con noi!
>
>NOEMA Staff
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** I D E A S **
>
>
>The Ass Between Two Chairs
>Howard Slater
>
>Under the regime of bio-political power we could say that the subject
>is reduced to a knowable being rather than an unknown and
>unforeseeable becoming. The possible is reduced to what is probable,
>empircally ascertainable and exhaustible. Here knowledge [...]
>reduces life to a state of equilibrium by excluding the non-knowledge
>of the emotions, the sensuous knowledge of affectivities. These
>latter, as provocations to forms of thought that resist
>categorisation as "knowledge" and as such defy the surety of being,
>are factors that can inform a "labour as subjectivity" and secure its
>potential to resist a bio-political power that values "knowledge" as
>that which reinforces being as an object, that delineates it to the
>point of incarcerating it. [...] Can there be factories of everyday
>life wherein knowledge is sensualised away from its status as private
>property to become a component in the production of subjects as
>"non-definitive affectivities'"? Can these factories produce
>pre-individuals as the affective classes?
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** A R T S **
>
>
>
>* F o c u s *
>
>
>New Performance Tools: Technologies/Interactive Systems
>Johannes Birringer
>
>Its aim was to bring together a small group of professional artists
>with established practices to explore the practical and conceptual
>implications of working with interactive tools, instruments and
>computer-controlled systems within performance conditions and
>exhibition-installation contexts.
>
>
>
>* E v e n t s *
>
>
>greylands.mx
>03/04/2002 - 07/04/2002, Mexico City
>Borderline Developments invites you to participate remotely in the
>robotic drawing project greylands.mx.
>
>
>The Electronic Literature Organization's Symposium
>04/04/2002 - 06/04/2002, Los Angeles
>The electronic writing and art communities are intertwined to the
>point where no one can tell where one ends and one leaves off. This
>meeting will be one in a series of meetings proposed at other
>conferences including Incubation in July 2002 and Hypertext02 in June
>2002.
>
>
>Stuff It Symposium
>31/05/2002 - 02/06/2002, Zurich
>Thus, the primary concern of audiovisual essayists is not to
>represent visible realities but to test conceptual connections
>through the articulation of rather untangible social and cultural
>transitions. The diverse ways in which this working method expresses
>itself in the combination of precise observation and recording,
>subjective narration, and theoretical reflection will be the subject
>of the symposium.
>
>
>Interface 2002
>20/04/2002 - 21/04/2002, Sydney
>Interface has been created to bring together a diverse range of
>people to be challenged and inspired by new ideas, new alliances and
>new projects.
>
>
>Advanced Electronic Visualization and Critique. Lectures.
>Conferences. Net meetings.
>16/01/2002 - 24/04/2002, Chicago & the web
>Think tank, smart interaction, discussions, conclusions, proposals.
>Participants and students shall participate actively, focusing in
>critical discussion of their own goals, works and projects, as well
>as of the actual state of the electronic art and design. Another
>relevant goal is to focus in interdisciplinary collaboration between
>technicians, scientists, designers and artists. In order to establish
>an active interaction between technology art and design and
>voiceovers.
>
>
>A Lovely Impression
>04/04/2002 - 18/05/2002, New York
>"A Lovely Impression" opens up a way for viewers to submit their
>uncensored sentiments on to the work. Due to the wireless nature of
>the piece, these marks can be left in complete secrecy, since
>proximity to the artwork is not necessary.
>
>
>World of Awe
>07/04/2002, Staten Island
>media artist Yael Kanarek will present "World of Awe", a narrative
>work in progress, and discuss her plans for its upcoming permutation
>on the turbulence site.
>
>
>This is What Democracy Looks Like!
>10/04/2002 - 10/05/2002, Berlin
>The video installation "This is what democracy looks like!"
>thematizes the events of 1 July 2001 which took place surrounding a
>demonstration against the World Economic Forum - a private lobbying
>organization of major capital - which was meeting in Salzburg at the
>time.
>
>
>Strategies for Sustainability in a Global Economy - Symposium
>07/04/2002, New York
>The symposium will address the following questions: What is the
>societal role of art, and the ethics of our interventions in our
>built environment?Ý What are the critical environmental and
>ecological prevention issues which have an impact on the global
>village?Ý What are some examples of sustainable development from the
>point of view of industrial ecology?Ý How may we find new strategies
>for environmental management, waste reduction, pollution prevention?Ý
>Can art have a role in shaping the environment in which we live?Ý
>What new technologies are there which may benefit humanity in
>environmentally friendly ways?
>
>
>This Time for Real
>04/04/2002 - 11/04/2002, Graz
>This Time for Real presents artists, producers, activists, groups and
>initiatives who access media channels from different angles, using
>them as a space for production and distribution and thus helping to
>define that hybrid environment that would seem to play an
>increasingly important role in determining our everyday culture and
>within whose framework ideas of art, media and politics are
>constantly changing.
>
>
>HIU8
>17/05/2002 - 19/05/2002, Milano
>HIU e' un evento unico nel suo genere, e' un incontro internazionale
>culturale autogestito, che ha lo scopo di promuovere e confrontare
>líarte e la cultura underground, dare uno spazio agli artisti che si
>muovono al di fuori del mercato tradizionale e creare uno spazio di
>interscambio e confronto tra artisti, tecnico, stilistico, di
>pensiero e sviluppo.
>
>
>Ida Gerosa - La Via
>09/04/2002 - 28/04/2002, Roma
>La parete di fronte agli schermi e' interamente coperta da cristalli
>riflettenti per consentire allo spettatore di percorrere "La Via"
>completamente immerso nelle immagini e nel loro riflesso. Camminando
>fa parte egli stesso dell'installazione perche' riceve la luce delle
>immagini sul proprio corpo e si puo' vedere moltiplicato.
>
>
>Video Viewpoints: Graham Harwood and Ron Kuivila
>08/04/2002, New York
>Dismantling the architecture of virtual and actual space, Graham
>Harwood (London) and Ron Kuivila (US) use web programs and sound
>interventions to affect alternate versions of social history and
>perception.
>
>
>Biospheres: Secrets Of The City
>05/04/2002, Queensland
>Biospheres: Secrets Of The City explores the hidden resonances and
>meanings of sound and image that lie beneath our everyday
>surroundings. Taking the urban environment, architecture, streets and
>the neighbourhoods that map the framework of the city itself as the
>inspirational focal point, this work attempts to re-assemble Brisbane
>and its surrounding spaces through its fringes.
>
>
>read_me 1.2
>18/05/2002 - 19/05/2002, Moscow & on the web
>read_me 1.2 explores the meanings of "program," "programming," "media
>space," and other poorly understood concepts. What are new media art
>strategies? What does Open Source do? Work gets made: how?
>
>
>7th. Annual Not Still Art Festival
>27/04/2002, New York & on the web
>Twenty one programs will be screened this year, with many artists
>present to discuss their work.
>
>
>Excavation sonore - robonom
>28/03/2002 - 28/04/2002, on the web
>Robonom is a massive interconnection of analog machines on which its
>six or so members thrash about.
>
>
>An evening of electro-acoustic music
>05/04/2002, Boston
>An evening of electro-acoustic music from New York.
>
>
>Meta-Forms Computer Arts Exhibition
>25/03/2002 - 19/04/2002, New York
>Meta-Forms is a multimedia exhibition featuring the work of the 21
>artists who were awarded Computer Arts Fellowships from the New York
>Foundation for the Arts in 2001.
>
>
>Splash Page Project
>01/04/2002 - 01/06/2002, on the web
>Year Zero One is an on-line artist run centre which operates as a
>network for the dissemination of digital culture and new media
>through web based exhibitions, an extensive media arts
>directory/bulletin, and the Year01 Forum - an electronic art journal.
>
>
>"The Free Biennial" announces Pete's Poem Swap
>26/04/2002, Williamsburg
>Swap your poems and support the gift economy of poetry. Send printed,
>recorded, Xeroxed, painted, published, bound, pressed, burned,
>collaged, handwritten, three-dimensional, and otherwise-assembled
>poetry.
>
>
>AIM III Symposium
>05/04/2002 - 27/04/2002, Los Angeles
>AIM is the annual international festival of time-based media
>presented by the University of Southern California School of Fine
>Arts.
>
>
>Visual AIDS Benefit - cheaper than a vodka tonic
>10/04/2002, New York
>Visual AIDS strives to increase public awareness of AIDS through the
>visual arts, creating programs of exhibitions, events, publications,
>and working in partnership with artists, galleries, museums, and AIDS
>organizations.
>
>
>PassDoC project
>25/04/2002 - 29/04/2002, Barcelona
>In questa serie di mostre l'artista sviluppera' il precedente
>progetto Passage, nato nel 1999 a Venezia e Parigi, come azione
>artistica urbana. Questo nuovo progetto cerca il confronto espressivo
>e formale al fine di realizzare un'opera corale e dialogante con
>altre visione artistiche, aperta a tutti.
>
>
>Films by Guy Debord
>09/04/2002 - 11/04/2002, Paris
>All six of Guy Debord's films were screened at the 2001 Venice Film
>Festival and it was announced that they would all be made generally
>available again in spring 2002. The opening is now scheduled for
>April 9-11 in Paris.
>
>
>'Motion' @ 450 Broadway Gallery
>16/04/2002 - 04/05/2002, New York
>The show will explore our changed way of life and forms of analysis
>after September, based upon our newly widened vocabulary of
>biological implications and our ever-increasing quantities of
>political, economic, and social pressures.
>
>
>World Audio Tournament 002
>09/04/2002 - 10/04/2002, on the web
>Audio live only via network - no archiv - free pass. 24h continuous
>trans audio (& video) distant travel.
>
>
>SMART Project Space - Italian For Beginners
>28/03/2002 - 10/04/2002, Amsterdam
>No reservations needed. All films in original language and with 
>Dutch subtitles
>
>
>
>* M e m o *
>
>
>trAce
>What I really want to do is start to create a hyperfiction. I've got
>the idea bubbling away in my head, but html is in the way. I've got
>to learn html in order to get my web studio up and running at trAce.
>
>
>Visu at lMusiC
>Questo programma permette di creare visual/music in molti stili e
>puo' generare elaborazioni audio/visuali sempre diverse.
>
>
>delter
>delter is a Java applet which takes an MPEG stream and renders only
>the motion data. In the resulting stream, objects in the movie are
>effaced, leaving only the traces of movement.
>
>
>ReferPrint
>"ReferPrint" is a work that makes art from the images found on pages
>that link to it.
>
>
>Anarchive 2
>The Daniel Langlois Foundation for Art, Science, and Technology and
>_Poxy Communications are proud to announce they are teaming up for
>the DVD-ROM "anarchive 2 - Michael Snow", which will be launched this
>fall.
>
>
>Infinite Brand
>"My Poetry is my Hard Dish" @ "To turn the computer on, to connect to
>the net, to surf and download images, to accumulate data, to copy and
>paste, to save on hard-disk.
>
>
>acoustic.space.lab
>Acoustic.Space.Lab is a networked, communications-art project
>exploring radio waves, satellite transmissions and the exploration of
>the atmosphere and of outer space.
>
>
>ephemera vol 2
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** S P E C I A L S **
>
>
>La rivoluzione del Terzo Millennio e i paesi poveri
>di Chiara Giannatiempo
>
>Alcuni dati dimostrano che la diffusione della tecnologia lungi da
>essere un processo realmente globale, ha delle caratteristiche
>piuttosto disomogenee. I Paesi (OCSE) sviluppati dispongono dell'80%
>di utenti Internet al mondo. Quasi tutta la ITC (Information and
>Communication Technology) e' prodotta dal 15% della popolazione
>mondiale, concentrata per la maggior parte nei Paesi
>industrializzati. Solo la meta' della popolazione mondiale ha luce e
>telefono necessari per utilizzare queste tecnologie. Stati Uniti e
>Canada hanno da soli il 57% dei navigatori.
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** S E L F - D E F E N C E **
>
>di Alessia Maria Michela Giurdanella
>
>
>Depenalizzazione in materia di trasmissioni criptate
>
>La legge n. 248/2000 punisce chi "a fini fraudolenti produce, pone in
>vendita, importa, promuove, installa, modifica, utilizza per uso
>pubblico e privato apparati o parti di apparati atti alla
>decodificazione di trasmissioni audiovisive ad accesso condizionato
>effettuate via etere, via satellite, via cavo, in forma sia analogica
>sia digitale".
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** W O R K S  &  P R O J E C T S **
>
>
>Electrohype 2002
>Call for entries (Deadline: 31/05/2002)
>The exhibition will include a variety of works ranging from net based
>projects to large installations controlled by computers. Therefore we
>are seeking works of art that requires a computer (or several) to be
>experienced. We are not looking for artworks that relate to linear
>media even if they are produced by computers,- like rendered images
>and linear video.
>
>
>Web Art Exhibition
>Call for submissions (Deadline: 15/04/2002)
>The exhibition will present 6 works conceived for the Web. The
>projects will be featured on-line, on a specially conceived Web site
>as well as in the gallery space of the Muse'e du Que'bec.
>
>
>CHArt Conference 2002
>Call for papers (Deadline: 28/05/2002)
>Following the success of last year's conference, CHArt is returning
>to the theme of Digital Art History, this time adding a question
>mark! We are inviting further papers exploring developments, both in
>terms of innovation and of building on good practice.
>
>
>Urban Drift - 2002
>Call for contributions (Deadline: 20/04/2002)
>Our aim is to communicate architecture and urban design to a wider
>audience, to extend the boundaries of architectural discourse, and to
>maximise the potential of interdisciplinary practice.
>
>
>Translating and the Computer 24 Conference
>Call for papers (Deadline: 20/06/2002)
>This conference is one of the few international events which focuses
>on the user aspects of translation software and as such has been
>particularly beneficial to a very wide audience including
>translators, business managers, researchers and language experts.
>
>
>The Daniel Langlois Foundation - 2002 Call for Projects for Organizations
>Call for applications (Deadline: 30/06/2002)
>The Daniel Langlois Foundation for Art, Science, and Technology is
>pleased to launch its 2002 call for projects for organizations. The
>Foundation now has two calls for projects a year: one for individual
>artists and scientists and one for organizations.
>
>
>Trimester program at the Bauhaus Dessau
>Call for applications (Deadline: 01/05/2002)
>The Bauhaus Kolleg's strategy is twofold: interdisciplinary teams
>create genuine contributions to urbanism and urban design. Thus,
>participants acquire knowledge and abilities which en-able to handle
>new professional challenges. The one year program is subdivided into
>three separate trimesters which focus on theory and analysis, on
>concept, and on design.
>
>
>AGORA 2002
>Call for submissions (Deadline: 30/04/2002)
>Papers are invited on any subject that explores areas of overlap
>between media literacy, digital technologies and ICT.
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** N E W S **
>
>
>-> Le News sulle nuove tecnologie e la societa' contemporanea, in
>collaborazione con ZEUS News.
>
>-> News about new media and society, in collaboration with ZEUS News.
>
>06/04/2002 Publisher to Build Giant Library Online
>06/04/2002 Todd Gitlin, "Media Unlimited"
>05/04/2002 Privacy Lecture Series - Stephanie Perrin
>05/04/2002 Next 5 Minutes 4: First General Announcement March 2002
>05/04/2002 ID3: Interaction/Info/Interface Design
>04/04/2002 Globalization and Beyond
>04/04/2002 Urgent Call to the World Civil Society
>04/04/2002 PDF Conference
>03/04/2002 L'anomalia italiana della tv e della banda larga
>03/04/2002 Il successo di Loquendo
>03/04/2002 Petition to condemn Ariel Sharon for War Crimes
>02/04/2002 Appeal for Help from the Siege of Ramallah
>02/04/2002 Un dolcetto al giorno
>02/04/2002 Libri: un altro mondo in costruzione
>28/03/2002 Servizio antibufala: ci casca anche Repubblica
>27/03/2002 Il portatile universale
>26/03/2002 Libri: hackers. I ribelli digitali
>25/03/2002 Hanno toppato anche questi!
>
>Per ricevere il notiziario "ZEUS News" gratuitamente in email / to
>get free news by email: http://www.zeusnews.com
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>** S T U F F **
>
>
>Mac OSX Tutorial
>Filippo AntonicaÝÝÝ
>
>"Guida alla personalizzazione di Mac OSX", di Filippo Antonica, e'
>una guida benfatta sull'uso dell'ultimo sistema operativo Apple,
>fondato su Unix BSD (Berkeley Software Distribution, dunque Unix).
>Mac OSX unisce la proverbiale facilita' d'uso Mac con la potenza di
>Unix, e seguiamo volentieri l'invito di molti nostri utenti a
>pubblicare una guida.
>
>"Mac OSX e' un sistema operativo basato su una versione Unix che
>Apple ha debitamente modificato, questa si chiama Darwin. Darwin e'
>il cuore di Mac OSX e lavora sotto l'interfaccia grafica Aqua. [...]
>Quello che sembra essere uno degli aspetti piu' interessanti di Mac
>OSX e' sicuramente la grande stabilita' offerta da Darwin [...] unita
>a un'interfaccia dotata di assoluta semplicita' (in perfetto stile
>Apple) e grandissima eleganza grazie ad effetti di fluidita'
>dell'interfaccia stessa che hanno portato poi gli ingegneri di
>Cupertino a battezzarla col nome di Aqua."
>
>
>[ NOEMA News - http://www.noemalab.com ]
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>
>-> NOEMA e' un work in progress. Se hai suggerimenti, segnalazioni da
>fare, se vuoi collaborare, siamo qua -> staff at noemalab.com
>
>
>-> NOEMA is a "work in progress". For any suggestions, submissions or
>collaborations -> staff at noemalab.com
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>N O E M A   N e w s - http://www.noemalab.com
>
>C U L T U R A   &   T E C N O L O G I E
>C U L T U R E   &   T E C H N O L O G I E S
>
>
>_/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/ _/
>
>--
>
>Staff
>Noema - http://www.noemalab.com
>staff at noemalab.com