[Air-L] book prices
Rhiannon Bury
rcbury at rogers.com
Wed Mar 9 11:33:17 PST 2011
The one issue I haven't seen raised in this interesting discussion is library
budgets. With cutbacks to postsecondary funding happening in many countries, why
would we think that university libraries can afford these high prices for a
single hardcover book? If they are purchasing at this price, that means that
other books will not be purchased, ie maybe yours or mine. This business model
of publishers is in danger of self destructing sooner rather than later.
In terms of open access, AU Press at our university is a leader. I haven't
explored this option myself (Peter Lang gets first right of refusal on my next
book as per my contract for Cyberspaces of Their Own) but here is the link to
their website:
http://www.aupress.ca/
best
Rhiannon
Rhiannon Bury, PhD
Associate Professor,
Women's and Gender Studies
Athabasca University
Canada's Open University
________________________________
From: "Jonathan Sterne, Dr." <jonathan.sterne at mcgill.ca>
To: "air-l at listserv.aoir.org" <air-l at listserv.aoir.org>
Sent: Wed, March 9, 2011 11:57:12 AM
Subject: Re: [Air-L] book prices
Hi Everyone,
I've been reading this discussion with interest. The future of publishing is an
ongoing discussion in many fields. Lots of people are coming up with new models
and alternative publishing arrangements. AoIR ought to consider at least
officially endorsing some of the better electronic journals related to Internet
Studies so that assistant profs can use that endorsement in their tenure
dossiers. But ultimately, it will be organized people who change things.
Publishers add value through paying for labor, and the main problem with open
access for now is precisely that. Someone has to copyedit, lay out and proof
materials as well as maintain the site. Once people figure out robust and
sustainable funding models, this will be even more viable than it already is.
Of course, for nonprofit university presses, income from journal publishing
subsidizes book publishing, which in most cases is a big financial loss for the
press. So those of you in book fields should be a little circumspect about
celebrating the death of the journal.
But Wiley and Blackwell are for-profit publishers. Their handbooks (and
Oxford's) follow a business model. Publishers approach authors whom they
believe to be leaders in a field (or who want to be and are up and coming) to
edit the handbook. The editors are told that the handbook will be a way to
bring a field forward, collect the latest and greatest scholarship and help
define the field. Then, the editors generate lots of value for the press by
bringing in friends and colleagues with the opportunity to be part of a
field-defining conversation (or in some cases calling in favors). The
collection is made, published, authors are paid a nominal fee and asked to sign
away their rights with an incredibly restrictive author's agreement, and then
the book is published. These publishers hope to sell to libraries first and
then piece them out in electronic form for a period of years, which is probably
one of the reasons for the ridiculous agreements contributors are asked to sig
n. This all works great for the publisher, but as of yet, the "field defining"
part hasn't happened in a lot of places. the books need to be read to have
their effect, and the fact that they are only available in DRMed online versions
or in libraries means even in bookish fields, they appear to be having less
impact than was promised.
How do I know? I've been asked by publishers more than once to edit a
collection like this (I declined) and have contributed to a few so I've seen
both sides of it. Now, I'm not innocent here -- this discussion led me to go
looking and I see Amazon is listing the hardback version of my forthcoming Sound
Studies Reader at $125, but at least the softcover will be cheaper. And I'm
actively working to change how I deal with this in new ventures (I wasn't as
attentive to these things when Routledge and I negotiated several years ago--and
I will raise the issue with them).
I've written a lot about authors' rights on my blog -- see
http://superbon.net/?p=1681 for example (and read Ted's article that I've linked
to!) and would encourage people who care about these things to educate
themselves, and make things like the contributor's contract a political issue --
which it already is. Obviously, those of us with tenure have to be the ones to
do some of the heavy lifting.
Best,
--Jonathan
--
http://sterneworks.org
http://mcgill.ca/ahcs
http://media.mcgill.ca
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