[Air-L] [Call for Papers] TikTok and Social Movements Symposium (20 September 2021)

[Jin Lee]

Hello friends at AoIR (again!)

It seems like the AoIR list serve removes the pdf attachment before
forwarding these out to the entire list, to prevent any possible virus
contamination.
So here I am sharing a CfP in the google drive: Please click here
<https://docs.google.com/document/d/1qI4auhEb-PHhFS-16FSwjLoWMXXYM6q7aEabgTCpjFg/edit?usp=sharing>

Please feel free to circulate the CfP among interested parties.

The Symposium is a one-day online-only event on Zoom, 20 September
1200–1600hrs, GMT+8
For consideration in this Symposium, please submit abstracts (up to 250
words) on previously unpublished papers and a short bio (up to 100 words)
to TikTok Cultures Research Network (tiktokcultures at gmail.com).

In the meantime, TikTok Cultures Research Network (
https://tiktokcultures.com/) will soon publicly announce the event with a
poster. Stay tuned!

Best,
Dr Jin Lee on behalf of A/Prof Crystal Abidin, Dr Bondy Kaye and TikTok and
Social Movements team

--
Jin Lee, PhD
Research Fellow, Internet Studies, Curtin University


On Thu, Aug 26, 2021 at 1:17 PM Jin Lee <ljin8788 at gmail.com> wrote:

> Hello friends at AoIR! I hope everyone is keeping well as best as you can.
>
> I am delighted to share a CfP for a one-day virtual Symposium "TikTok and
> Social Movements", hosted by TikTok Cultures Research Network and supported
> by the Centre for Culture and Technology at Curtin University.
>
> Attached as.pdf and in plain text below. Please feel free to circulate
> among interested parties. I look forward to seeing you at the Symposium!
>
> Thank you in advance
> Jin
> *
>
> *Call for Papers: TikTok and Social Movements Symposium (20 September
> 2021)*
>
> The recent growing popularity of TikTok has transformed the cultures and
> practices of social movements online worldwide. Despite several concerns
> towards the app, regarding weak security (Chae, 2020; Dziedzic, 2020),
> moral panics incited by malicious content on TikTok (Purwaningsih, 2018)
> and some countries’ (temporary) ban on the platform (e.g. Indonesia,
> Pakistan, India), TikTok has rapidly grown as the “hottest app of 2020” in
> the world (Brigham, 2020). Its functionality (e.g. short-video, voiceover,
> meme template, background music, duet, hashtag) and unique genres (e.g.
> dance, comedy, social media challenge) have expanded existing social media
> cultures and enabled users to engage with other users, social issues, and
> even misinformation and online toxicity with ease and fun.
>
> As part of such cultural moves, TikTok users establish their vernacular
> cultures and find their meaningful use of the platform by leading or
> participating in various types of movements for global awareness, social
> change, and civic politics. This includes Young TikTok users’ climate
> activism (Hautea et al., 2021); Growing anti-racist movements, such as the
> continuation of “Black Lives Matter” on TikTok (Janfaza, 2020; Richardson,
> 2020); and emerging hashtag streams like #StopAsianHate in response to
> increasing violence against Asians in the pandemic (Hanson, 2021).
>
> The affordances of TikTok provide room for creativity with music and
> filters powered by AI technologies, which facilitates the formulation of
> identity politics and cultures. Recent examples include Young Indian
> women’s lip-syncing to Bollywood songs against the caste system
> (Subramanian, 2021); LGBTQI+ users’ use of various filters to advocate for
> diversity (Simpson & Semaan, 2021); Young users’ meme cultures (Zeng &
> Abidin, 2021) as consciousness building work (Anderson & Keehn, 2020;
> Literat & Kligler-Vilenchik, 2019); Older generations’ collaboration with
> younger generations (Hood, 2020). However, social movements on TikTok are
> not always specifically targeted towards social justice, but may often also
> advocate for specific beliefs that mirror global politics, such as
> Anti-vaccine movements and distribution of misinformation (Basch et al.,
> 2021); Far-right movements (Weimann & Masri, 2020).
>
> Focusing on the newly emerging cultures on TikTok, scholars in Media
> Studies, Communication Studies, Sociology, and Anthropology also have begun
> to develop “TikTok Studies”, looking for instance at emergent meme cultures
> on TikTok (Zeng & Abidin, 2021; Zeng et al., 2020; Zulli & Zulli, 2020),
> TikTokers as new types of internet celebrities (Abidin, 2021), users’ music
> practices (Kaye et al., 2021), the emergence of new teenage pop culture (De
> Leyn et al., 2021), online learning on TikTok (Li et al., 2021; Literat,
> 2021), novel methodologies for TikTok (Schellewald, 2021), and the newly
> emerging geopolitics around the app (Gray, 2021).
>
> In response to this expansion of scholarship on TikTok and alongside the
> TikTok Cultures Research Network’s ethos to cultivate diversity and equity
> in academic scholarship, we will be holding a one-day Symposium to showcase
> emergent research on the potentials, promises, pitfalls, and parameters of
> such social movements on TikTok. The Symposium seeks to provide a
> meaningful opportunity to reflect on the evolving cultures and practices
> around the civic and social movements on TikTok, wherein various actors on
> the platform across the globe advocate for social justice and specific
> values, develop grassroots networks and resources, and engage with others.
> We invite submissions on themes that include, but are not limited to:
>
> • Politics, digital circulation, and/or economies of movements on TikTok
> • Online activism, campaigns, and protest on TikTok
> • Intersections of sexuality, gender, race, ethnicity, and more on TikTok
> • Emerging TikTok practices and communities for advocacy
> • Far-right, or alt-right movements on TikTok
> • Roles and affordances of the platform technologies in mobilizing
> movements
> • Surveillance of TikTok movements
> • Consequences and pitfalls of TikTok movements
>
> HDRs, ECRs (up to 5 years post-PhD + career interruptions), and scholars
> in/or from the Global South are strongly encouraged to apply. A selection
> of papers will also be considered for inclusion in a Special Issue
> tentatively entitled “TikTok and Social Movements” that will be published
> in a top-ranked peer-reviewed journal in the field of Media Studies,
> Internet Studies, and Communication Studies.
>
> For consideration in this Symposium, please submit abstracts (up to 250
> words) on previously unpublished papers and a short bio (up to 100 words)
> to TikTok Cultures Research Network (tiktokcultures at gmail.com).
>
> *Key Dates:*
> 03 September 2021 –  Abstracts and biographies due
> 08 September 2021 –  Notifications of acceptance
> 20 September 2021 – TikTok and Social Movements Symposium, tentatively
> 1200–1600hrs, GMT+8
>
> We look forward to receiving your submissions! Please contact TikTok
> Cultures Research Network (tiktokcultures at gmail.com) with any questions
> about this event.
>
> This Symposium is the fourth event organized by the TikTok Cultures
> Research Network, an Asia Pacific-based Network dedicated to understanding
> and developing qualitative and cultural approaches to studying the impact
> of TikTok on society, founded by A/Prof Crystal Abidin and supported by a
> network of Founding Members in October 2020. This event is supported by the
> Centre for Culture and Technology, and financed by Strategic Investment
> funding from the Faculty of Humanities at Curtin University.
>
> TikTok and Social Movements team,
> Dr Jin Lee, A/Prof Crystal Abidin, and Dr Bondy Kaye
>
>
> --
> Jin Lee, PhD
> Research Fellow, Internet Studies, Curtin University
>