[Air-L] The journal Global Media and China published the latest issue—June 2022

[Xiao Han]

Dear All, 



We are pleased to announce that our journal Global Media and China has just published its latest issue (Volume 7, Issue 2, June 2022). 

 
And also we sincerely welcome your contribution to our journals. If you are interested and have the time, it is a great honour for us to receive your submission. Here is the submission portal:

https://mc.manuscriptcentral.com/gmac <https://mc.manuscriptcentral.com/gmac>. For more information about Global Media and China, please go to gch.sagepub.com <http://gch.sagepub.com/>, you can also find detailed submission guidelines there.

 
You can freely read this new issue at: https://journals.sagepub.com/toc/GCH/current <https://journals.sagepub.com/toc/GCH/current> 

(Follow us at: https://twitter.com/GCHjournal <https://twitter.com/GCHjournal>; https://www.facebook.com/Global-Media-and-China-110136464998539/ <https://www.facebook.com/Global-Media-and-China-110136464998539/>) 

Original Articles

The politics of platform power in surveillance capitalism: A comparative case study of ride-hailing platforms in China and the United States

Ngai Keung Chan and Chi Kwok

https://doi.org/10.1177/20594364211046769 <https://doi.org/10.1177%2F20594364211046769>
 

Delegitimising Data Subjects’ Economic Interests During Automatic Propertisation of Their Data: A Comparative Study of Data Protection on Social Media Platforms in the UK and China

Janet Hui Xue

https://doi.org/10.1177/20594364211060874 <https://doi.org/10.1177%2F20594364211060874>
 

Online Fiction Writers, Labor, and Cultural Economy

Wei He, Lei Lin and Anthony Fung

https://doi.org/10.1177/20594364221105643 <https://doi.org/10.1177%2F20594364221105643>
 

The invention of Chinese “media tradition”: Mediatization of festival tradition and family cultural reproduction in contemporary China

Zhuoxiao Xie

https://doi.org/10.1177/20594364221090711 <https://doi.org/10.1177%2F20594364221090711>
 

Contested fandom and nationalism: How K-Pop fans perform political consumerism in China

Eureka Shiqi Wang

https://doi.org/10.1177/20594364221093768 <https://doi.org/10.1177%2F20594364221093768>
 

Influenced or to be influenced: Engaging social media influencers in nation branding through the lens of authenticity

Xiufang (Leah) Li and Juan Feng

https://doi.org/10.1177/20594364221094668 <https://doi.org/10.1177%2F20594364221094668>
 

Book Reviews

 

Man-Fung Yip, Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation

Hong Yu Liu

https://doi.org/10.1177/20594364221081323 <https://doi.org/10.1177%2F20594364221081323>
 

Zhang Lun, Wang Chengjun and Xu Xiaoke, 计算传播学导论 (Jisuan Chuanboxue Daolun)

Dani Fadillah, Luo Zhenglin and Bai Long

https://doi.org/10.1177/20594364221081327 <https://doi.org/10.1177%2F20594364221081327>
 

David Craig, Jian Lin, and Stuart Cunningham, Wanghong as Social Media Entertainment in China

Laura Vermeeren

https://doi.org/10.1177/20594364221089987 <https://doi.org/10.1177%2F20594364221089987>
 



Dr HAN Xiao

Research Associate, State Key Lab of Media Convergence and Communication, Communication University of China (CUC)

Commissioning Editor, Global Media and China http://journals.sagepub.com/home/gch <http://gch.sagepub.com/>