[Air-L] Air-L Digest, Vol 211, Issue 26

Paola Di Maio paola.dimaio at gmail.com
Fri Mar 18 23:10:58 PDT 2022 

Greetings
AFAIK there have been no bounces?
I have received the last email on March 1st

On Tue, Mar 1, 2022 at 6:00 AM <air-l-request at listserv.aoir.org> wrote:

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> Today's Topics:
>
>    1. New Book Announcement (S.J. Min)
>    2. Global Forum: The Russian-Ukrainian Conflict and the Future
>       of Warfare (Olga Boichak)
>    3. Submission Deadline for #AoIR2022 is TOMORROW - 1 March 2022
>       (Michelle, Association of Internet Researchers)
>    4. Journal of Peer Production #15 TRANSITION (Mathieu.O'Neil)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sun, 27 Feb 2022 21:01:18 -0500
> From: "S.J. Min" <kissandhug at gmail.com>
> To: air-l at listserv.aoir.org
> Subject: [Air-L] New Book Announcement
> Message-ID:
>         <CABYgMTd9gHfQOefYKUQ-=YEyK0a=
> z8RDmh6ErAehgh56kRUyWg at mail.gmail.com>
> Content-Type: text/plain; charset="UTF-8"
>
> Seong Jae Min (2021/2022). Rethinking the New Technology of Journalism: How
> Slowing Down Will Save the News. Penn State University Press. e-book: Nov.
> 2021, hardcopy: Mar. 2022.
>
>
>
> The frenetic pace of modern life subjected every facet of society,
> including newsrooms, to cutthroat competitions and relentless pursuit of
> speed.  Journalists today live by the grand discourse of speedy
> technological innovation, struggling to catch up with new tools.  Is
> technology a vital force in journalism that would make or break the
> industry?s fate?  Shattering the conventional industry wisdom that
> technology determines journalism?s forms, content, and its ultimate
> success, this book suggests that, from the printing press to blockchain,
> technologies? role in journalism has been overstated.  The book calls for a
> ?slow journalism,? a respite from the hectic pace of newswork and incessant
> innovation, and appreciation of long-term collaboration and reflection that
> enhance journalism?s core missions and functions in society.
>
>
>
> Available from Amazon and Google Play Books for a discounted price in March
> ($9.99 e-book).
>
> Descriptions from the Penn State Press:
> https://www.psupress.org/books/titles/978-0-271-09248-5.html
>
>
> ------------------------------
>
> Message: 2
> Date: Mon, 28 Feb 2022 14:24:58 +1100
> From: Olga Boichak <olgarithms at gmail.com>
> To: air-l at listserv.aoir.org
> Subject: [Air-L] Global Forum: The Russian-Ukrainian Conflict and the
>         Future of Warfare
> Message-ID:
>         <CAAFNfCQrEE_2-2oBa6abNoZ2g7f60gxN1GRO=
> OOc5+K7AzJ6+A at mail.gmail.com>
> Content-Type: text/plain; charset="UTF-8"
>
> Please join us for a Global Forum that offers a critical reflection on the
> Russia-Ukraine war and investigates the relationship between warfare and
> media in this context.
>
> *March 1, 6:00pm AEDT* (what time is it for me
> <
> https://www.timeanddate.com/worldclock/fixedtime.html?msg=Global+Forum%3A+The+Russian-Ukrainian+Conflict+and+the+Future+of+Warfare&iso=20220301T18&p1=240&ah=1&am=30
> >
> ?)
>
> *Click here
> <https://uni-sydney.zoom.us/webinar/register/WN_ZZQroAtCRsi_hYWx5uT3zA> to
> register for this virtual event.*
>
> Ukraine is once again at the epicentre of news due to an unwarranted
> full-scale military aggression from Russia. After years of influence
> operations, active measures, and ceasefire violations, followed by failed
> diplomacy and ineffective sanctions, missiles are once again flying and
> more boots are on the ground. With hybrid war expanding into the realms of
> communication and perception, new analytical tools are needed to understand
> what happened and what is likely to come next. The Global Forum gathers
> international experts for a critical analysis of the Russian-Ukrainian war
> and what it represents for the future of warfare.
>
> *Global Forum* is a webinar series hosted at the *Centre for International
> Security Studies
> <
> https://www.sydney.edu.au/arts/our-research/centres-institutes-and-groups/centre-for-international-security-studies.html
> >at
> the University of Sydney, Australia*. It was created in 2018 to bring
> together international security experts to explore the most pressing global
> issues in a critical and timely manner. Past themes
> <
> https://www.sydney.edu.au/arts/our-research/centres-institutes-and-groups/centre-for-international-security-studies/global-forum.html
> >
> have
> included the COVID-19 crisis (2020), digital insecurity (2019)
> and global uncertainty (2018). The Forum will be recorded and made
> available on the CISS YouTube channel
> <https://www.youtube.com/channel/UCT52PI0tqRnqmCB7DH0Fy0Q>.
>
>
> Moderator
> *Professor James Der Derian* is Director of CISS and Michael Hintze Chair
> of International Security at the University of Sydney. He writes books and
> produces documentaries on war, peace, media and technology.
>
> Speakers
> *Dr Olga Boichak* is a Lecturer in Digital Cultures at the University of
> Sydney. She is a Ukrainian-born media sociologist who has published
> extensively on the role of digital technologies in the Russian-Ukrainian
> war and is an editor of the *Digital War Journal.*
>
> *Dr William Merrin* is Associate Professor in Media and Communication at
> Swansea University, UK. He is the author of *Digital War: A Critical
> Introduction* (2018), which offers a comprehensive overview of the impact
> of digital technologies upon the military, the media, the global public,
> and the concept of ?warfare? itself.
>
> *Dr Anthony Szabo* is the Information Warfare Star Shot leader for the
> Australian Defence Force?s Defence Science and Technology Group.
>
> *Bryce Wilson* is a photojournalist and documentary filmmaker from
> Melbourne, Australia. Bryce has been covering the Russian-Ukrainian war
> since 2015 and is currently in Ukraine.
>
>
> ------------------------------
>
> Message: 3
> Date: Mon, 28 Feb 2022 09:25:31 +0000
> From: "Michelle, Association of Internet Researchers" <ac at aoir.org>
> To: air-l at listserv.aoir.org
> Subject: [Air-L] Submission Deadline for #AoIR2022 is TOMORROW - 1
>         March 2022
> Message-ID:
>         <CAPpsLq6YZ=
> 5GgWunOQ5xdze-mCwKduPXXcE_OUzgfb8QEh1Wqg at mail.gmail.com>
> Content-Type: text/plain; charset="UTF-8"
>
> Hello!
>
> *A reminder that the #AoIR2022 deadline for submissions is tomorrow: 1
> March 2022, 23:59 UTC.*
>
> If you are unsure what time this is where you are, please check here:
>
> https://www.timeanddate.com/worldclock/fixedtime.html?msg=AoIR2022+Submission+Deadline&iso=20220301T235959
>
> The 2022 conference welcomes contributions that address the theme of
> *Decolonising
> the Internet.* To re-familiarize yourself with the call for proposals and
> types of submissions solicited, please see here:
> https://aoir.org/aoir2022/subtypes/. Submissions deadline is 1 March 2022
> for papers, panels, roundtables, fishbowls, experimental sessions, and
> pre-conference workshops.
>
> When submitting, please take the time to read the submission categories and
> topics carefully; this helps us match your submission to a suitable
> reviewer. To learn more about how submissions are reviewed, please see
> here: https://aoir.org/sub_review_info_aoir/.
>
> If accepted as a presenting author, you must register for the conference by
> the Early Bird deadline of 1 August 2022. Accepted paper and panel
> submissions will be included in our open access conference paper archive,
> Selected Papers of Internet Research (SPIR). SPIR helps us further
> publicise the work of our members and introduce our research to a wider
> audience. *All paper and panel submissions must therefore follow our SPIR
> formatting requirements,* which includes a consistent header and style
> format for the papers that will enable people to easily locate author and
> title information, and identify the papers as part of the AoIR conference.
> This format is only intended to bring consistency to basic elements (such
> as typeface and spacing), not to impose any disciplinary constraints.
> Please download and utilise the Word template here:
> https://aoir.org/aoir2022/subtemplate/.
>
> Between the Invasion of Ukraine, serious flooding in Queensland
> (Australia), ongoing COVID-19 waves and academic strikes in the UK, we're
> aware that there may be unavoidable circumstances that disrupt timely
> submissions of your long abstracts. While we discourage extension requests
> generally as it makes the reviewing process more difficult, if you would
> like to request a (short) extension, or have other queries about the
> submission process, please email AoIRConfChair at aoir.org.
>
> Click here to go to the submission site:
> https://www.conftool.org/aoir2022/
>
> We look forward to your proposals and to a stimulating conference in
> Dublin!
>
> Sincerely,
> Kylie Jarrett
> AoIR2022 Programme Chair
>
>
> ------------------------------
>
> Message: 4
> Date: Mon, 28 Feb 2022 13:26:50 +0000
> From: Mathieu.O'Neil <Mathieu.O'neil at canberra.edu.au>
> To: "air-l at listserv.aoir.org" <air-l at listserv.aoir.org>
> Subject: [Air-L] Journal of Peer Production #15 TRANSITION
> Message-ID:
>         <
> SYAPR01MB292780A8ACE7331D26B64FDC91019 at SYAPR01MB2927.ausprd01.prod.outlook.com
> >
>
> Content-Type: text/plain; charset=UTF-8
>
> THE FINAL ISSUE OF THE JOURNAL OF PEER PRODUCTION #15 TRANSITION
>
> http://peerproduction.net/issues/issue-15-transition
>
> Issue editors: Panayotis Antoniadis & Mathieu O?Neil
>
> JoPP #15 TRANSITION features six peer-reviewed articles exploring diverse
> aspects of transitions in peer production projects. Each article is
> accompanied by an additional piece or ?complement? which addresses the same
> topic in a non-academic manner. This experimental format aimed to explore
> the transitions, permutations and transformations of research on peer
> production. Reflections about change also inform the future of the Journal
> of Peer Production itself. It was collectively decided that the correct
> transition path for the Journal is to close its circle: this will be the
> last issue of the JoPP. This final issue will serve as a vehicle to
> strengthen the JoPP community and encourage its members to collectively
> learn from the past, and support each other in our future endeavors.
>
> To that end, the issue comprises two dedicated sections: ?Reflections on
> the past? and ?The future? which will remain open for contributions by
> members of the JoPP community until the end of 2022, the final year of the
> Journal of Peer Production. In early 2023, a closing ceremony will mark the
> end of this era. More detail on the content of the issue ? in its current
> incarnation ? and the plans for its expansion can be found in our Editorial
> Notes. We look forward to your feedback and contributions.
>
> As a final experiment in publishing processes, we invite the authors of
> this ultimate issue to present themselves in an online gathering in the
> context of the 7at7 series, on May 7, at 7pm CET, at
> https://7at7.digital/<https://7at7.digital>. After a quick round of
> introductions to their work, we will have the opportunity to discuss all
> together the past and future of peer production.
>
>
> EDITORIAL NOTES
>
> Researching transition, transitioning research and saying goodbye to the
> Journal of Peer Production | Panayotis Antoniadis and Mathieu O?Neil
>
> PEER-REVIEWED ARTICLES
>
> Plan C ? Makers? response to COVID-19 | Peter Troxler
> Complement: Responses by Dyhrberg H?jgaard, Boeva, Garc?a and Cuartielles
>
> Collective capabilities for resisting far-right extremism online and in
> the real world | Cian O?Donovan
> Complement: A framework for mapping, building, and evaluating collective
> capabilities
>
> ?Meet your Personal Cobot!? Framing participatory research in makerspaces
> as a trading zone | Tudor Basarab Ionescu and Jesse de Pagter
> Complement: EU automation policy: Towards ethical, human-centered,
> trustworthy robots?
>
> Prototypes as agents of transition: The case of DIY wireless technology
> for advancing community digital sovereignty | Hagit Keysar, Elizabeth
> Calder?n L?ning and Andreas Unteidig
> Complement: Collective Learning
>
> Civic spaces and collaborative commons | Curtis McCord
> Complement: Report on workshops and engagement
>
> Making consensus sensible: The transition of a democratic Ideal into
> Wikipedia?s interface | Steve Jankowski
> Complement: The link: A policy fiction
>
> JOPP IN TRANSITION: OUR COMMUNITY
>
> The Handbook of Peer Production: Interviews with practitioners |
> Rhizomatica, Harassmap, Ushahidi, Wikimedia Deutschland, Debian
>
> JOPP IN TRANSITION: THE FUTURE
>
> The triumph of peer production? Announcing the creation of the Digital
> Commons Policy Council | Kit Braybrooke, Angela Daly, Mathieu O?Neil and
> Stefano Zacchiroli
>
> Really Simple Federation (RSF) | Panayotis Antoniadis
>
> JOPP IN TRANSITION: REFLECTIONS ON THE PAST
>
> A short history of the Journal of Peer Production by its founder | Mathieu
> O?Neil
>
> Revisiting JoPP 6 on peer production and the law | Angela Daly
>
> http://peerproduction.net/issues/issue-15-transition
>
>
>
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> ------------------------------
>
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> ------------------------------
>
> End of Air-L Digest, Vol 211, Issue 26
> **************************************
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