[Air-L] CFP - CMC Journal Special Issue - Promotional industries and platformised logics in the digital age
Luiz Peres-Neto
luizperesneto at gmail.com
Wed Jun 1 02:59:58 PDT 2022
Comunicação Mídia e Consumo (CMC)
[1]http://revistacmc.espm.br/index.php/revistacmc
Call for Papers for Special Issue
Promotional industries and platformised logics in the digital age
This special issue of our Scopus-based journal CMC aims to bring
together research and scholarship that explores interactions between
the promotional industries, technologies, and the media.
Guest editors:
Clea Bourne, Goldsmiths, University of London, UK
Gisela G. S. Castro, Advanced School of Advertising and Marketing
(ESPM), São Paulo, Brazil
Luiz Peres-Neto, Autonomous University of Barcelona, Spain
Sergio Amadeu da Silveira, Federal University of ABC, Brazil
Digital platforms have emerged as a new means of production in the
wider global economy by extracting, circulating and controlling vast
amounts of data as an economic, social and political asset. The
metaphorical term ‘platform’ describes an infrastructure that enables
two or more groups to interact, combining big data, cloud and mobile
telephony together as an increasingly competitive weapon.
Platforms have transformed global promotional industries, which include
advertising, branding, marketing, sponsorship and public relations.
Moreover, the production logics of platformisation have given rise to
new promotional occupations such as digital content marketing,
ecommerce, programmatic advertising, social media management and user
experience (UX) design, to name a few.
While the impact of digital platformisation has been at the forefront
of various interdisciplinary debates, there has to date been limited
attempt to understand the collective impact of platformisation and
algorithmic logics on the global promotional industries.
More than quarter of a century ago, the Birmingham School gave us the
Circuit of Culture as a way to think about production, consumption and
representation in the cultural economy. The model helped in
apprehending the promotional fields as representational activity,
situated between production and consumption, and responsible for
circulating products and services as well as ideas.
As digital platforms speed up distribution processes, bringing
producers and consumers together in increasingly ‘frictionless’ ways,
the gaps between many forms of digital production and consumption are
closing. In the platform economy, promotional outputs (e.g.
advertisement, branded content or sponsored video) are no longer
bounded by time, while the media through which promotional outputs
circulate now operates more logistically and algorithmically than it
does narratively or representationally, as digital content attracts and
organises users, places and things across time and space.
How then should we understand promotional activity in the digital age?
We welcome contributions that consider any of the following questions:
1. How should we understand digital platforms and their relationship
with promotional industries, their workers, their inputs and
outputs? Here we acknowledge that some platforms such as Amazon,
Facebook and Google are themselves promotional entities, numbering
among the largest advertising companies in the world.
2. What are the implications of recent technological developments such
as shoppable TV, preparations for Facebook’s metaverse, or the
prospective demise of third party cookies?
3. Who are the new promotional intermediaries? What is the future for
traditional promotional roles? How are traditional promotional
roles positioned against emerging specialisms such as data insight,
content strategy, social media management or user experience
design?
4. To what extent do contemporary promotional devices, tools and
outputs represent new approaches? Contributions might explore
anything from conversion funnels to in-house technology stacks,
from analytics to tracking tools, from mobile apps to promotional
bots and virtual brand influencers.
5. Are there local, regional alternatives to programmatic networks
controlled by major platforms that belong to groups such as
Alphabet or Meta? Does the current supremacy of Big Techs eliminate
the value of national advertising markets and render them hostage
to these North American technological giants?
6. The platform economy is intertwined with massive extraction of
data. Machine learning and deep learning technologies also depend
on data storage. Theories such as spectacularization, control
societies, surveillance capitalism or data driven economy attempt
to cover the phenomena of conversion of life flows into data. What
are the concepts and theories that allow us to better deepen our
analyses of promotional industries and platformised logics in the
digital age?
7. Finally, how and where can we gauge the changes within promotional
industries empirically and theoretically, especially when much of
promotional activity is opaque or difficult to trace?
In addition to the questions posed above, contributors might also
consider the following topics for article development, including but
not limited to:
1. AR/VR interfaces
2. Big vs small – campaigns, devices, markets,
3. Circuits of algorithmic culture
4. Disruption, distribution, disarticulation
5. Ethical issues, marginalisation and social justice
6. Human-machine communication
7. New promotional intermediaries
8. Promotional devices and tools
9. Working conditions and labour in promotional industries.
Timeline
1 July 2022 – Closing date for submission of 800 word abstract (please
use the website for submissions:
http://revistacmc.espm.br/index.php/revistacmc)
1 August 2022 – Invitation to submit full-length papers
31 October 2022 – Deadline for submitting full-length papers
(submissions to website -
http://revistacmc.espm.br/index.php/revistacmc)
15 January 2023 – Announcement of articles selected for publication
30 April 2023 – Publication of Special Issue
References
1. http://revistacmc.espm.br/index.php/revistacmc
More information about the Air-L
mailing list